Wednesday, April 18, 2012

In many cities around the world - Manhattan, London and Stockholm, to name just three - art commissioned from local artists enlivens the subway stations, making the daily process of getting from one place to another much more fun. So it’s great to see the city of Cape Town applying the same process to the network of MyCiti bus stations spreading virally through the city. In 2010, I did a 19 panel design at the bus station at the airport, involving clouds and mountains and calligraphic quotes. A few weeks ago, curator Roger van Wyk invited me and four other artists to propose a design for the station opposite Thibault Square. The brief was to honour three early architects of Cape Town, including Louis Michel Thibault, designer of the historic Koopmans de Wet house, now a museum in Strand Street.

This week, we heard that the gig went to Julia Anastasapoulos, with one of the best designs for a bus station I’ve yet seen. Thibault used the classic golden mean system of proportions in making his designs, and Julia took the circles which had determined his structure and dropped in areas of transparent colour. A beautiful solution to honouring the architect, fully utilizing the glass panels of the bus station, and at the same time enriching the passengers’ experience of waiting for the bus to come.

It reminds me a bit of an old David Kramer song, where he talks about growing up in Worcester, and how the most exciting part of Sunday was standing at the front door looking at the cars going by outside, first through the green glass panel and then through the red.

Good Friday, April 6 2012

When a sense of loss is unbearable, can an acoustic envelope of music provide a way to alleviate pain? This is one of the questions introduced to her Cape Town  audience by the brilliant international academic, Griselda Pollock this week. Talking luminously about the little known German Jewish artist Charlotte Salomon, who died in Auschwitz in 1943, Pollock showed images of the vibrant small paintings Salomon left behind. These chronicle a fictional account of her tragic life, complete with transparent overlays referencing the music to be listened to, or hummed, while looking at that image.  The artist’s self portrait is on the right above, next to the photo of Griselda, taken during her Michaelis talk.

More about the artist at http://www.jhm.nl/collection/themes/charlotte-salomon. Griselda Pollock can be referenced all over the web.

Chad Rossouw: Cape Town Overnight

Chad Rossouw’s ‘A History of Failure’  is on view at Brundyn & Gonsalves and is a dense imaginary of a scientific and engineering South African past … his elegant poster of a Zeppelin flying over the art deco Old Mutual building promises CAPE TOWN OVERNIGHT.

Stan Douglas: Malabar People: Owner/Bartender 1951

Was the 2^nd Johanneburg Biennale a failure? Only in that it was closed early by the main funders, the City of Johannesburg, and has never happened again. To the overseas critics who came to look and to those of use who were lucky enough to participate or to be there, it was a triumph. Curated by Okwui Enwezor, it was called “Trade Routes and Geography”

Penny Siopis: The Master is Drowning

In what may turn out to be the exhibition of the year, Joost Bosland has recalled those brilliant weeks which brought some of the top artists of the world to this country with an exhibition at the Stevenson entitled ‘Trade Routes Over Time’, The show  features work by a few of the many artists who took part, including Stan Douglas, Yinka Shonibare, Olafur Eliasson, Pierre Huyghe and South African artists Jo Ractliffe and Penny Siopis.