‘If money were no object, which one would you choose?’ Blank project director Jonathan Garnham and I were walking around Dorothee Kreutzveldt’s opening of “The Imminent Inauguration of the Fifth Corner’. Kreutzveldt’s edgy brushwork reflects the fast changing often makeshift street landscape of downtown Johannesburg. ‘Hard to choose’, I respond. ‘And it’s not just a question of money. It’s wall space.’ ‘I sometimes think I should buy an old house in the Karoo with big rooms just to hang work I like’, says Jonathan.
Dorothee Kreutzveldt’s painting Two Men on a Bench photographed in downtown Johannesburg
For such a pleasurable imagined house – and for those who do have real available wall space - there was lots to choose from on the shows opening in the last two weeks. At Joao Ferreira’s, Kate Gottgens’ “merry hell and the dreambody’ presented family photos reworked into haunting paintings of a somewhat fearful childhood world.
Kate Gottgens and Andrew Putter at Joao Ferreira
The end of year graduate show at Michaelis looked better than ever – clearly, the appointment of a full time curator for the Michaelis Gallery, Nadja Daehnke, has added to the highly professional look of the show, which snakes through the entire complex. And the students themselves raised R200 000 to pay for their catalogue. Jared Ginsburg walked away with the Michaelis prize.
On the Michaelis show: Rose Kotze Staying at a Friend (Club Bliss, Claremont) | 2010 (detail)
And finally, ‘Category Error’ opened at the AVA on Monday night, an invigorating group show with artists Josie Grindrod, Joanne Block, Lynne Lomofsky, Mandy Darling, Jane Solomon, Leora Lewis, Jann Cheifitz and Philip Miller, with an exhibition of prints upstairs from Warren Editions. Large scale monoprints included work from Michael Taylor Sanell Aggenbach and Georgina Gratrix.
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